Tuesday, January 19, 2010

Catch Me If You Can

After spending most of Oct-Dec in bed recovering from surgery for a herniated lumbar disc, I'm going to be zooming around again. Here's my events schedule (so far) thru May.

January 24 - Book Promotion 101 Teleseminar
3:00-4:30pm ET (12:00-1:30 PT)
Includes Q&A, Marketing Plan Worksheet & private 15-minute follow-up consultation.



January 29 & 30 - Space Coast Writers Guild Conference
Cocoa Beach, FL
  • "Book Promotion 101"
  • "Polish Your Pitch"
  • individual 10-minute pitch coaching sessions



March 19 - Book Promotion 101 Workshop
WriterHouse, Charlottesville, VA
9:00am-12:00pm
Guest speaker: Alison Larkin, author of The English American



Virginia Festival of the Book, Charlottesville

March 18, 7:00pm - "Candy & Booze: Good for the Jews?" Moderator; with Katharine Weber (True Confections) and Max Watman (Chasing the White Dog: An Amateur Outlaw’s Adventures in Moonshine).

March 19, 4:00pm - "The Business of Book Reviewing: Changes & Challenges"

Host; Ron Charles, Washington Post, and freelancers David Montgomery, Rebecca Skloot and Katharine Weber; moderated by Bethanne Kelly Patrick.

March 20, 10:00am - "Book Promotion for the 21st Century">
Moderator; with nonfiction author Jag Bhalla, novelist Carleen Brice, book publicist Kelly Powers and science writer Rebecca Skloot.



Backspace Writers Conference, New York

May 27, 6:00pm - "Polish Your Pitch" with Ron Hogan


Wednesday, December 16, 2009

My Wildest Interview Ever:
Philip Smith on WALKING THROUGH WALLS














In the 1950s, dashing Lew Smith and his chic blonde wife Esther would go out on the town to drink cocktails and “listen to Dean Martin or laugh at Shecky Greene.” As Miami’s “only heterosexual decorator,” Lew catered to clients ranging from jet-setting socialites to the dictator of Haiti.

It was unusual enough that a Jew who fled pogroms in Poland should become the go-to guy for Miami home décor. But Lew’s life took an even stranger turn in the 1960s. By the end of the decade, he had become a psychic healer under the tutelage of spirit guides.

All this makes for a good story. And more than 20 years after his father’s death, artist Philip Smith wrote it.
More at Wild River Review

Photo: Philip Smith & one of his paintings.

Wednesday, December 09, 2009

Cold Comfort

It is now 1°F in Denver. (Celsius=Too F*cking Cold!) It's colder and snowier here than in Minneapolis, Toronto and Portland, Maine. The snow squeaks underfoot and it hurts my lungs to breathe outside. Feh!

Consequently, I'm very happy to be working on our next Bella Terra Maps product: Florida Lighthouses. We plan to have it printed in time for me to bring copies when I go to the Space Coast Writers' Guild Conference in Cocoa Beach at the end of January. One of my half-sisters lives nearby, so I'll visit her for a few days--along with as many lighthouses and maritime museums as possible.

I also plan to visit Gilbert's Bar House of Refuge, below.
Click here for entrancing 360° view. I've been looking at it A LOT.

Oh, and HMS Bounty and the 1812 privateer schooner Lynx (below) will be docked in Palm Beach. Both offer dockside tours and the Lynx has daily Adventure Sails. I am so there! (Along with a bottle of scleranthus, the Bach Flower Remedy for motion-sickness.)

Photo by Chris Woods - courtesy of The Lynx Educational Foundation

Boy Wonder reminded me that I'd told him that if I ever moved to Florida, he should have me committed--or shot. I pointed out that a short midwinter trip requires no such action on his part.

Tuesday, December 08, 2009

In Cheery Siberia (aka Denver, CO)

An arctic blast hit Denver over the weekend. It snowed yet again last night--snowfall #9 since October 8, for those keeping score. When I got up this morning it was 3°F outside. The thermometer outside my dining room window registered a sultry 20° a little after noon. When last I looked it was 10°.

Sunday night I watched Silk Stockings, with songs by Cole Porter, starring Fred Astaire and Cyd Charisse. (Fun fact: costar Janis Paige was married to my father's double-cousin Arthur, whose parents were Dad's paternal aunt and a Stander cousin.)

And what song could be more appropriate to the frigid weather than "Siberia," sung by Joseph Buloff, Jules Munshin & Peter Lorre:
When we’re sent to dear Siberia,
To Siberi-eri-a,
When it’s cocktail time ’twill be so nice
Just to know you’ll not have to phone for ice.

When we meet in sweet Siberia,
Far from Bolshevik hysteria,
We’ll go on a tear,
For our buddies all are there
In cheery Siberi-a.

When we’re sent to dear Siberia,
To Siberi-eri-a,
There’s a most delicious bill of fare,
You must try our filet of polar bear.

When we meet in sweet Siberia
To protect us from diphtheria,
We can toast our toes
On the lady Eskimos
In cheery Siberi-a.

When we’re sent to dear Siberia,
To Siberi-eri-a,
Where the fresh salt air makes us feel so fine,
It is fresh salt air from our own salt mine.

When we meet in sweet Siberia,
Where the snow is so superia
You can bet, all right
That your Christmas will be white
In cheery Siberi-a.

Here's the number (stop at 2:31):

Tuesday, December 01, 2009

Yahrzeit #15...and A Day In Court

Lionel Stander (l) in a 1961 production of The Policemen, directed by Leonidas Dudarew-Ossetynski.

My father died of cancer 15 years ago today. We were a continent apart then--he in L.A. and me in Maine. There were times when he went years without seeing, or even speaking, to me. But now he's a constant presence in my life, due to the dozens of photographs on the walls of the "Dad Gallery" in the upstairs hallway. I see him when I first wake up in the morning and just before I go to bed at night, which rarely happened during my childhood.

The newest additions to my ever-growing collection of Lionel Stander images came via email a few weeks ago. Early this year a woman in California named Valerie Hunken found me via Google. She was going through the possessions of her late father, the actor and stage director Leonidas Dudarew-Ossetynski. Among them were some stills from a 1961 Off-Broadway production of The Policeman, with my father. Would I be interested in those photographs?

Of course I would, I wrote her. I hadn't known anything about The Policemen or Dudarew-Ossetynski. (I learned from Google that he was born an aristocrat in Wilno, Poland--now Vilnius, Lithuania.) The only shows I recalled Dad being in the early 1960s were The Conquering Hero (memorable because Tom Poston held a puppy that peed on his hand during a rehearsal in Philadelphia), Brecht's Arturo Ui and Luther. The latter two were directed by Tony Richardson, who went on to cast my father as Pierpont Mauler in a London production of Brecht's St. Joan of the Stockyards, then broke the Hollywood Blacklist by putting him in the The Loved One (still one of my all-time favorite movies).

Months went by and I forgot about Hunken. Then out of the blue the photographs arrived on November 12th, four days after my birthday. And who else should be in some of the photos than Jack Gilford, whom I first knew as the nice man in the Cracker Jack commericals. (I still remember the lyrics!) He was also blacklisted, though not as long as my dad if he was doing commercials when I was very young.

Rehearsal of The Policemen. Director Leonidas Dudarew-Ossetynski is atop table, Lionel Stander is seated at center, Jack Gilford is standing at far right.

Speaking of the Hollywood Blacklist, along with 31 others I signed on to a Brief of Amici Curiae of Victims of the McCarthy Era in the U.S. Supreme Court case, Holder v. Humanitarian Law Project. I received a PDF of the brief today from the attorneys. It argues that the Antiterrorism and Effective Death Penalty Act of 1996 (AEDPA):
threatens once again unconstitutionally to interfere with the rights of free speech and association. AEDPA's vague ban on 'assistance' and 'advice' is essentially no different from the McCarthy Era attempt to root out association with and advocacy for groups unpopular with the government.

One of the key lessons from this era is that when the federal government fans the flames of public passion by enacting overreaching criminal statutes, staging congressional hearings, and investigating the loyalty of millions of American citizens, it implicitly condones and sanctions retributions against individuals, such as Amici. Eventually, our society and this Court understood that these consequences were uncceptable. We should not make these mistakes again.
To my surprise and amazement, Dad and I are mentioned in the brief proper, which all nine Supreme Court Justices (or at least their clerks) will have to read. How cool is that?

In the Appendix, the List of Amici Curiae has biographical notes. Here's mine, drafted by the attorney and amended by yrs truly:
Bella Stander is the daughter of the late Lionel Stander, a film, stage, television and radio actor who was active in many progressive social and political causes. Stander was first subject to an early “blacklist” in the 1930s because of his active role in progressive trade unions and anti-Fascist organizations. Although he was publicly cleared of accusations of being a communist by the Los Angeles District Attorney in 1940, years later he was again accused of being one. He was subpoenaed to appear before HUAC in 1953, and as a result was blacklisted from radio, TV and Hollywood. Lionel Stander sparred vigorously with the Committee, defending his Constitutional rights and denouncing HUAC for trampling them, which made front-page news from coast to coast. Columnist Walter Winchell, who had supplied material on Stander to the FBI, then demanded that he be ousted from his role in the touring production of “Pal Joey.” J. Edgar Hoover wrote in his FBI file, which covers some 30 years: "Be certain Stander doesn't use FBI to regain respectability."
I didn't light a Yahrzeit candle tonight, but I think the above will burn a bit longer.

Saturday, November 21, 2009

Julian Fellowes Talks About PAST IMPERFECT











Photo © Giles Keyte

PAST IMPERFECT opens with its anonymous narrator, a member of the minor aristocracy, being contacted by Damian Baxter, an ex-friend from Cambridge whom he hasn’t seen in decades. Thus begins a journey that contrasts the naïve debutantes and would-be debonair beaux of the London Season of 1968 with their surprisingly altered (or not) selves 40 years later.

Reached by phone in Chicago on Halloween morning, Julian Fellowes observed to freelance writer Bella Stander that “Lake Michigan is like an enchanted sea around a fairy castle.” Later that day, From Time to Time, which he produced, directed and wrote, was screened at the Chicago International Children’s Film Festival. Starring Maggie Smith, the picture went on to win the Best of Fest Award and two other prizes.... more at BookReporter.com

Monday, November 09, 2009

My Birthday in Music

Today started off happier, thanks to all the birthday wishes I got via email and Facebook. I've had the Kinks on my mind the past few days, but couldn't find anything by them in our pared-down music collection (350 LPs & 500+ CDs). So I played T. Rex instead. Loud.



After a very late breakfast I stretched out on the couch to read the Sunday Times to a 2-CD set of Chopin nocturnes. Op. 9 No. 2 is one of my favorites:



At around 3:30, Darling Husband took me out for another drive to Washington Park. This time we went to the southern lake, and shared a bench with a woman who had her newly adopted miniature collie on a leash. On the way to and from the park, I relived my wild days in art school by listening to a tape of Jerry Jeff Walker's ¡Viva Terlingua!, which I'd found when vainly rummaging around for a Kinks tape that I suddenly remembered once owning. I still know all the words to "Up Against the Wall Redneck Mother":



I further relived my wanton youth by listening to a tape of Edgar Winter's White Trash ("Oh, the Scientologist," said DH). Here's "Keep Playing that Rock & Roll":



Which then led to Long John Baldry's "It Ain't Easy." It opens with the definitive version of "Don't Try to Lay No Boogie Woogie on the King of Rock & Roll," but the only track I could find on YouTube is "Flying":



After that came Leon Russell:



And then with a delicious dinner of Key West shrimp and a green salad with some of the last tomatoes from the garden, I played some Randy Newman. Here's my long-time favorite, "Sail Away":

Saturday, November 07, 2009

My Day in Music

I started off the day in a blue mood. Prompted by a Twitter post, after breakfast I lay on the couch and listened to "Can't Find My Way Home" on the Blind Faith album, a touchstone of my teenage years. The lyrics took on a whole new meaning, now that we've delayed our move to our home state of New York due to my wasted body--which I really wish I could leave.
Can't Find My Way Home
by Steve Winwoood

Come down off your throne and leave your body alone
Somebody must change
You are the reason I've been waiting so long
Somebody holds the key

But I'm near the end and I just ain't got the time, oh no
And I'm wasted and I can't find my way home

Come down on your own and leave your body at home
Somebody must change
You are the reason I've been waiting all these years
Somebody holds the key

But I'm near the end and I just ain't got the time, oh no
And I'm wasted and I can't find my way home

But I'm near the end and I just ain't got the time, oh no
Oh no, and I'm wasted and I can't find my way home

But I can't find my way home
Still I can't find my way home

And I ain't done nothing wrong
But I can't find my way home



After a bit of emotional catharsis, I decided that the ideal music to listen to next was Kurt Weill. So I put on "Ute Lemper Sings Kurt Weill," followed by Weill's Die Dreigroschenoper (Threepenny Opera), also with Lemper.

Meanwhile I read the New York Times. Or at least the A section. Or rather, the stories that didn't get me too upset. So I skipped the one on the front page about the victims of the Fort Hood shooting, and the one inside about the Orlando shooting (I had to put my hand over the photos).

To cap it all off, there were two op-eds about veterans and PTSD (which I have). The Forever War of the Mind by Max Cleland is absolutely devastating and absolutely true; Stress Beyond Belief by Bob Herbert also hits hard. Both are must-reads.



Darling Husband hid upstairs until the music was over. When he came down, I said, "Y'know, I don't think it was such a good idea to listen to Weill when reading bad news in the paper."

He responded, "It's NEVER a good time to listen to Weill. In German. That's when I know you're really depressed."

After that I made myself a bowl of popcorn and mug of mocha (DIY antidepressants) and cheered myself further by playing "Ella Fitzgerald: The Songbooks." At the same time, after wiping the butter off my hands, I redid the layout of the upcoming Bella Terra Southeast Lighthouses Map.



Then Darling Husband took me for my first post-surgical drive that wasn't for an appointment with a healthcare provider. We went to Washington Park and took a (very short, slow) walk by the first lake. We passed four 20ish guys sitting on a bench. One of them, with his lower leg in a monstrous cast, was playing Nirvana's "Smells Like Teen Spirit" on a guitar.

When we came back, he was idly strumming. A German woman with a toddler said, "His favorite song is 'The Wheels on the Bus.'" The guys looked puzzled, so I said, "You know... [singing] 'The wheels on the bus go round and round...'"

Whereupon, to the little boy's delight, all four guys burst into a rousing rendition of "The Wheels on the Bus." As we got into the car, I heard them starting on the third verse.

Thursday, November 05, 2009

IN MY FATHER'S SHADOW: Orson Welles's Daughter Speaks












"Ignore your children and they will be obsessed with you for life."—Alain de Botton

From the moment I saw In My Father’s Shadow: A Daughter Remembers Orson Welles in the Algonquin Books fall catalog, I knew that I must read the book and speak to author Chris Welles Feder. As the daughter of actor Lionel Stander (a contemporary of Welles), I wanted to learn how Feder managed to survive with—and more often, without—a famous, larger-than-life father.

A few days before she took off for California to start her book tour, I reached Feder by phone in her New York City home. The voice that greeted me was so youthful, I found it hard to believe it was coming from a 71-year-old. I started off by asking why she wrote In My Father’s Shadow....

Read more at Wild River Review

Photo of Chris Welles Feder © Gregory Downer

Wednesday, November 04, 2009

Siegfried Sassoon, More Relevant than Ever

The UK Guardian ran a piece on WWI poet-soldier
Siegfried Sassoon: The reluctant hero

"Cambridge University is on the verge of securing Siegfried Sassoon's personal papers for posterity – his unpublished poems and letters are more relevant than ever, says Michael Morpurgo"


The article includes this undated poem, "just a scrap torn from a notebook":
Can I forget the voice of one who cried
For me to save him, save him, as
he died?
I will remember you, and from
your wrongs
Shall rise the power and the
poignance of my songs
And this shall comfort me until
the end
That I have been your captain and
your friend.
Sassoon's July 1917 Soldier's Declaration, according to Morpurgo, "was published in newspapers and read out in the Commons; it very nearly got him executed." I imagine the same furor would erupt today. I wish it would.
A Soldier's Declaration

I am making this statement as an act of wilful defiance of military authority, because I believe the war is being deliberately prolonged by those who have the power to end it.

I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this war, upon which I entered as a war of defence and liberation has now become a war of aggression and conquest. I believe that the purposes for which I and my fellow soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects witch actuated us would now be attainable by negotiation.

I have seen and endured the suffering of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust. I am not protesting against the conduct of the war, but against the political errors and insincerity's for which the fighting men are being sacrificed.

On behalf of those who are suffering now I make this protest against the deception which is being practised on them; also I believe that I may help to destroy the callous complacence with which the majority of those at home regard the continuance of agonies which they do not share, and which they have not sufficient imagination to realise.

S. Sassoon,

The Real Rules

I've been sending my rules out in bits and pieces on Twitter. It's time to put them all in one place. Follow them faithfully and I promise you won't go wrong.

Bella's Rules of Life

1. The world is filled with wankers.

2. When the going gets tough, the tough go to bed.

3. Just say no.

Sunday, November 01, 2009

Amazing Resemblance




As research for a piece I'm writing, yesterday I watched "Citizen Kane" and "The Battle Over Citizen Kane." The second film had a photograph of Orson Welles just after his arrival in Hollywood in 1939, sporting a Van Dyck beard and smoking a pipe.

Wow, I thought, that "beatnik" guy on "Mad Men" (above right) looks just like Welles. I wonder if it's by accident or on purpose?

I stopped wondering after a Google search for "Michael Gladis" + "Orson Welles" got 225 results, the 2nd of which is an AMC blog, which begins:

He looks like Orson Welles, smokes like Albert Einstein and wants to be Ernest Hemingway. Michael Gladis was born to play bohemian ad man, Paul Kinsey.

Q: Your character is compared to Orson Welles. You've played Orson on stage. Is this an ongoing theme?

A: I remember at like six-years-old my grandmother saying you look like a young Orson Welles and I had no idea who that was. I had to turn to my mother and be like is that a good thing or a bad thing? She said no sweetie it's a very good thing. My whole life there has been comparisons drawn. I was cast to play Orson in a film that didn't get made and I was heartbroken.

Q: Did that have anything to do with casting you as Paul?

A: That came up in the audition. Matt Weiner, at the beginning of the season (I think referencing our conversation in the audition room) said some time this season someone is going to make note of your resemblance to Orson Welles. Mark my words. And I never heard anything else about it. I'd see every script and there was nothing there. Finally, Joan makes the reference in Episode 12 and Matt says see you thought I forgot didn't you? He stuck it in.

Until I read the above, I'd forgotten about that line. I wonder how Gladis feels about Christian McKay, who played Welles in the play "Rosebud," getting to portray him again in "Me and Orson Welles," which opens on Nov 25. McKay sure as hell doesn't look like Welles in the movie's poster, below. However, he does in the shot with Zac Efron, probably due to padded cheeks and bulky clothing.



Saturday, October 31, 2009

Publicity Horror: Technical Difficulties

From a screenwriter/director:
I had to go to a festival screening of my film and answer audience questions afterwards. Suddenly the reel came on upside-down and backwards. Then it stopped. Then it came back on, but with only half the picture. Then it stopped. Half the audience had trickled out by then, to go to other screenings.

I just wanted to run away and hide in a manhole. But at these things you have to stand there as though it couldn’t matter less, and everything’s fine.
This person has completed another feature film, which is making the festival rounds. All the projectors have worked perfectly. So far.

Publicity Horror: The Woman in the Front Row

It's Halloween, time once again for Publicity Horror Tales. This one's from the author of a bestselling social satire, which I'll call NOVEL.

I gave a talk about NOVEL. This 60-ish woman came and sat right at the front, all eagerness and taking notes. When we got to the Q&A session, it soon became clear that she was furious that I had had a success with NOVEL, and that she could have written the same book--only much, much better.

She went on and on. The moderator tried to shut her up, but the audience sort of enjoyed the coliseum aspect of it.

She said, "The thing is, I could have written this book."

I said to her, “I'm sure you could have. But the difference is, you didn’t and I did.”

Wednesday, October 28, 2009

A Blacklist is Born

From the New York Times, June 27, 1941:

My father, who belonged to Actors Equity and was a founding member of the Screen Actors Guild, in August 1940 was named as a Communist Party member in "closed" grand jury testimony that was leaked to the LA Times the next day.

From the New York Times, February 3, 1942:

In May 1953, in the middle of the roadshow run of "Pal Joey" (in which he was the Equity rep) Dad was called to testify before the Dies Committee in New York.

Wednesday, October 21, 2009

The Horrors Begin: Stupid Author Trick

From Anytown, USA:

Anonymized to protect the clueless.

An author is invited to present a workshop about creative writing at a writing center with more than 100 members. Said author accepts, then later backs out for reasons that are not the fault of the writing center.

Author, whose book is about...CREATIVE WRITING, then emails writing center and asks that the review copy of his book be returned to him, rather than left in the library of writing center with more than 100 members.

Tuesday, October 20, 2009

Scare Me, Please!

Halloween's coming, which means it's time once again for Publicity Horror Stories. Send the most spine-tingling tales from your crypt, whether you're an author, publicist, media escort, bookseller, journalist, reader. . .whatever.

Confidentiality 100% guaranteed.

Email: blog(at)bellastander.com.

Sunday, October 18, 2009

No Brian, You Don't Always Have to Look on the Bright Side

On "The Daily Show" last week, Jon Stewart interviewed Barbara Ehrenreich (my new hero) about her new book, BRIGHT-SIDED: How the Relentless Promotion of Positive Thinking Has Undermined America.

She brought the house down when she tartly declaimed:
"I never think delusion is OK."

My sentiments exactly.


The Daily Show With Jon StewartMon - Thurs 11p / 10c
Barbara Ehrenreich
www.thedailyshow.com
Daily Show
Full Episodes
Political HumorRon Paul Interview

Tuesday, October 13, 2009

Parsing Aesop

I was feeling guilty that I wasn't exercising enough, because the hospital discharge instructions said I should walk 20-30 mins a day. So using a walker, yesterday afternoon I crept about 10 yds down the street, then 120 ft from front to back yard.

Afterwards I got sorer & droopier. This morning I could hardly move & my left foot was more numb. Off to the surgeon, who said the sciatic nerve was flared again. When he'd operated last week, it was so red & inflamed that he was surprised there'd been any immediate improvement. Now I'm flat on my back & on steroids. Again.

New instructions: All walking is to be done in the house--from room to room, up/down the stairs.

Moral: Slow & steady wins the race.

Saturday, October 10, 2009

Guest Post: Strength in Numbers

Book Promotion 101 alum Sally Nemeth (THE HEIGHTS, THE DEPTHS, AND EVERYTHING IN BETWEEN) reports on last week's West Hollywood Book Fair.

(That's Sally by the balloons, doing her Mama Rose impression.)


I am a lucky author. No, my publishing house doesn't do squat for me promotionally, I didn't win a major award with my very first novel, and I'm not on anyone's bestseller list. What I am is a LAYA.

I'm one of the Los Angeles Young Adult authors. And what we've found over our three years of existence is that when it comes to promotion and appearances, there is definitely strength in numbers.

We were organized as an ad hoc listserve by YA author Cecil Castellucci. Initially what we did was share information online, have cocktails, gather for parties and bitch about our publishers, agents, publicists, etc.

Then last year, when the BookExpoAmerica and American Library Association conventions were held in Los Angeles, we saw it as a call to action. We figured we could make a bigger splash at both events as a collective than as individuals. We came up with the idea of presenting a live game show--LAYAPALOOZA--with games based on YA lit guaranteed to amaze and amuse. We invented some absurdly funny quiz show games, got some righteous swag to give away (including our own books), and were not afraid to make total fools of ourselves onstage. And it worked.

For BEA, we contacted the Association of Booksellers for Children and performed LAYAPALOOZA in their hospitality suite, to great acclaim. At ALA, we performed at the Young Adult Library Services Association (YALSA) pavilion and garnered quite a crowd, awarding Dum-Dums for wrong answers to the likes of Arthur Levine and Jay Asher. We set up a group MySpace page and at both events gave out rubber bracelets embossed with our URL: http://www.myspace.com/losLAYAs

Since then, we've been invited to perform LAYAPALOOZA at Vroman's Books in Pasadena, at the November California Library Association meeting and in January at Changing Hands Bookstore in Phoenix, AZ. And now all PALOOZAs are followed by book signings.

As a group, we've always talked about how book fests never get teen lit right. They either strand authors on the kiddie stage, where no teen would be caught dead. Or they put us on panels with other YA authors, where we blather to a room full of people who want to be YA authors about what it's like to be a YA author. Neither format attracts our target audience: teens.

Fellow LAYA Leigh Purtill and I approached the West Hollywood Book Fair with a proposition: If they'd set up a dedicated teen tent, we'd provide at least two hours of programming for it and rent a booth at the fair. We told them that, rather than present our own work, we'd adapt short excerpts of our books "readers theatre" style, and have an ensemble of teens perform the texts. If teens are performing, we reasoned, they'd tell their friends and families to come. Voilà! Target audience achieved.

To our amazement and their credit, the WeHo Book Fair organizing committee agreed. They said that if we succeeded in getting an audience at the teen stage, the LAYAs would have slots at the fest next year, and for years to come.

On Sunday, October 4, the LAYAs INVADED WEHO! Ten members whose books had been published within the year, along with 10 teen readers, took the fest by storm. The organizers have yet to do a post mortem, but we're pretty sure they'll be having us back.

We learned a thing or two. Next year we'll sell our own books at our own booth all day, rather than have a fest seller handle a single signing after the performance. Thus we can sign throughout the day and more of us can participate in the fest, rather than just LAYAs with books published that year. And the more of us on hand, the more attention we draw.

Next week, invited by YALSA, we'll be performing in pairs at libraries throughout Los Angeles as part of Teens Read Week. It's a great way for us to get to know area librarians, YA authors' best friends. The LAYAs are now something of a brand, all because we joined together to promote our work--and YA literature as a whole.

Not bad for a bunch of solitary authors.