Above, a group of young men in Tahrir Square, by Moises Saman for The New York Times.Below, "The Taking of Christ" (c. 1602) by Michelangelo Merisi da Caravaggio, at the National Gallery of Ireland.
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- Bella Stander
- Rhinebeck, New York, United States
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SPEAK, MEMORY: An Autobiography Revisited by Vladimir Nabokov
2 comments:
Formal echoes apart, it really makes you think what a huge influence Caravaggio has been on our whole idea of what makes a good image.
Excellent point! He certainly has, which is why his work and that of his followers (e.g. Rembrandt) remains fresh and modern-looking.
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